Garamond is a great font for magazines, textbooks, websites and long bodies of text and was recently named the second best font (after Helvetica) by a German publication.
Futura is a font that comes up often in large displays, logos, corporate typefaces and in books where small text is needed.
(3) Demographic (Population) numbers are based on data from the Wearable technology is currently a hot topic and the interest in this sector continues to grow.
Used mainly for formal occasions, Bickham Script Pro is a font which does the job well…
Cameron Moll even recommended it in his article “Typefaces no one will get fired for using.” The ‘not-so-trained’ designer usually vouches for Vivaldi instead which is one of America’s most hated fonts. The Frutiger font family is neither strictly geometric nor humanistic in construction; its forms are designed so that each individual character is quickly and easily recognised.
Such distinctness makes it good for signage and display work and it is often used in Web 2.0 Logos.
The full family has a warmth and subtlety that have, in recent years, made it popular for the smaller scale of body text in magazines and booklets.
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And as Vivien pleas in her 16 most overused fonts article, Trajan finds its way into many Hollywood movie posters and anything remotely to do with religion, law, marriage, class or the past.
You can check out the flickr pool for more uses of Trajan. Trajan is an old style serif typeface designed in 1989 by Carol Twombly for Adobe.
Without a doubt, Helvetica is the most heavily used font by professionals (and also by the not so professional) in graphic design.